Catherine King
Catherine King
Mezzo-Soprano
The English mezzo-soprano, Catherine King, began her vocal studies as a choral scholar at Trinity College Cambridge followed by a period at the Guildhall in London, and later study with Josephine Veasey. Catherine King regularly performs music covering a vast period from the present day back to the 11th century, and in many languages (often with period pronunciation). She has performed with many of the UK's leading ensembles and orchestras including the Royal Philharmonic Orchestra, the Royal Liverpool Philharmonic Orchestra, the Taverner Consort, Northern Sinfonia, the Nash Ensemble, the Gabrieli Consort and Players, Gothic Voices, London Baroque, Fretwork, Singcircle, the New London Consort, Florilegium and The Academy of Ancient Music. She also makes regular appearances in Brirish and European festivals, including at the Three Choirs Festival in Gloucester, Edinburgh International Festival, the Lufthansa Festival at St John's Smith Square and the Bruges Early Music Festival, Belgium. Recent appearances (2001) include Prague, Hamburg, Paris, the USA, live BBC broadcasts from the Wigmore Hall and St John's, Smith Square. Well known as a versatile early music specialist, Catherine King's duo with lutenist Jacob Heringman and the group Virelai seek to bring life to long forgotten music, performing it with a freshness which belies the years since its writing. Catherine King frequently performs from the full range of great oratorios throughout the country. As well as works by Händel, Bach and Mozart, she has sung larger scale pieces such as Elgar's Music Makers and Verdi's Requiem. She has recently performed and recorded Händel's Judas Maccabaeus in Germany, Bach arias in Oslo and Lyon, given several performances of Elgar's Dream of Gerontius in Britain, and a series of lute song recitals in the USA. She has also recorded and premiered songs written for her by a number of composers, most recently at the Spitalfields Festival in London with a commission by Andrew Keeling. Opera performances include Mercedes (Carmen) and Diane (Rameau Hippolyte et Aricie), the latter under William Christie. In December 2002 performerd Messiah with Robert King and the Stavanger Symphony Orchestra in Norway. Contemporary performances include new works in London Spitalfields Festival with Sing Circle, Tippett's Crown of The Year with the Nash Ensemble, as well as premieres of specially commissioned songs performed in the USA , and on radio and CD. Recordings include recitals for Radio Three and on CD with her duo partner lutenist Jacob Heringman, pianist Wayne Marshall, and with leading early music ensembles, including GothicVoices, Fretwork, London Baroque, the New London Consort, the Consort of Musicke and the Taverner Consort. The many CDs she has released during the past five years include the award winning 'Airs de cour' CD for Linn Records, lute songs by Mudarra and Milán (ASV), 20th century songs by Barber and a recording of music by Hildegard of Bingen and Jean Catoire (Virgin Classics). Recent recording project have included Bach Mezzo Arias, for Linn Records, and a disc of songs by Verdelot to coincide with concerts at the Wigmore Hall, London.
Mezzo-Soprano
The English mezzo-soprano, Catherine King, began her vocal studies as a choral scholar at Trinity College Cambridge followed by a period at the Guildhall in London, and later study with Josephine Veasey. Catherine King regularly performs music covering a vast period from the present day back to the 11th century, and in many languages (often with period pronunciation). She has performed with many of the UK's leading ensembles and orchestras including the Royal Philharmonic Orchestra, the Royal Liverpool Philharmonic Orchestra, the Taverner Consort, Northern Sinfonia, the Nash Ensemble, the Gabrieli Consort and Players, Gothic Voices, London Baroque, Fretwork, Singcircle, the New London Consort, Florilegium and The Academy of Ancient Music. She also makes regular appearances in Brirish and European festivals, including at the Three Choirs Festival in Gloucester, Edinburgh International Festival, the Lufthansa Festival at St John's Smith Square and the Bruges Early Music Festival, Belgium. Recent appearances (2001) include Prague, Hamburg, Paris, the USA, live BBC broadcasts from the Wigmore Hall and St John's, Smith Square. Well known as a versatile early music specialist, Catherine King's duo with lutenist Jacob Heringman and the group Virelai seek to bring life to long forgotten music, performing it with a freshness which belies the years since its writing. Catherine King frequently performs from the full range of great oratorios throughout the country. As well as works by Händel, Bach and Mozart, she has sung larger scale pieces such as Elgar's Music Makers and Verdi's Requiem. She has recently performed and recorded Händel's Judas Maccabaeus in Germany, Bach arias in Oslo and Lyon, given several performances of Elgar's Dream of Gerontius in Britain, and a series of lute song recitals in the USA. She has also recorded and premiered songs written for her by a number of composers, most recently at the Spitalfields Festival in London with a commission by Andrew Keeling. Opera performances include Mercedes (Carmen) and Diane (Rameau Hippolyte et Aricie), the latter under William Christie. In December 2002 performerd Messiah with Robert King and the Stavanger Symphony Orchestra in Norway. Contemporary performances include new works in London Spitalfields Festival with Sing Circle, Tippett's Crown of The Year with the Nash Ensemble, as well as premieres of specially commissioned songs performed in the USA , and on radio and CD. Recordings include recitals for Radio Three and on CD with her duo partner lutenist Jacob Heringman, pianist Wayne Marshall, and with leading early music ensembles, including GothicVoices, Fretwork, London Baroque, the New London Consort, the Consort of Musicke and the Taverner Consort. The many CDs she has released during the past five years include the award winning 'Airs de cour' CD for Linn Records, lute songs by Mudarra and Milán (ASV), 20th century songs by Barber and a recording of music by Hildegard of Bingen and Jean Catoire (Virgin Classics). Recent recording project have included Bach Mezzo Arias, for Linn Records, and a disc of songs by Verdelot to coincide with concerts at the Wigmore Hall, London.
