MOZART: Symphony No. 21 in A Major, K. 134
Symphony No. 21
in A Major, K. 134
Performed by the South West German Chamber Orchestra,
conducted by Timo Handschuh
A live recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · Duration: 17 Min. 25 Sec.
Digital Album · 4 Tracks incl. Digital Booklet
he Symphony No. 21 in A major, K. 134, was composed by Mozart in August 1772. The symphony has the scoring of two flutes, two horns, and strings. (From Wikipedia, the free encyclopedia)
he hallmark of the South-west German Chamber Orchestra Pforzheim is its fresh and gripping musical approach and stylistic diversity from early to contemporary music. The ensemble consists of fourteen musicians of seven different nationalities and is one of the few full-time chamber orchestras in Europe. This allows for exceptional richness and flexibility of sound, which is maintained even when the Orchestra is enlarged with further wind or string players. The ensemble was founded in 1950 by Paul Hindemith's former student Friedrich Tilegant. Soon the ensemble won international recognition: One talked of the "Tilegant-sound", which could not only be heard at the festivals in Salzburg, Lucerne and Leipzig as well as on world-wide tours, but which was also documented on numerous recordings. Maurice André, Dietrich Fischer-Diskau, Frans Brüggen and Yehudi Menuhin are only a few of the celebrity names who have worked with the Orchestra. After the Tilegant-era, which ended far too early after the premature death of its founder in 1968, the Orchestra was moulded by the Viennese Paul Angerer (1971-1981), Vladislav Czarnecki (1986-2002), who came from the Czech music tradition, and Sebastian Tewinkel (2002-2013). To shape and develop sound, style and program in the future Timo Handschuh has assumed the position of the orchestra's music director with beginning of the concert season 2013/14. On its road to success the South-west German Chamber Orchestra has made numerous broadcasts for almost all European radio stations and released nearly 250 records and CDs, many of which were awarded international prizes (Grand Prix du Disque, Monteverdi Prize, Prox Artur Honegger). Several premiere performances (Jean Françaix, Harald Genzmer, Enjott Schneider) prove its competence in contemporary music. Currently the Chamber Orchestra plays together with renowned soloists such as Gidon Kremer, Rudolf Buchbinder, Christian Tetzlaff, Sabine Meyer, Frank Peter Zimmermann, Mischa Maisky and Anatol Ugorski. Together with them - but also with up-and-coming young musicians - the Orchestra has been invited to perform in all European countries as well as in the USA and Japan. Ideas for new programmes beyond the traditional subscription concerts extend the ensemble's profile. In 2001, the South-west German Chamber Orchestra toured Europe's great concert halls with Giora Feidman and Facundo Ramirez, playing Klezmer and Argentinian folklore (Misa Criolla), and the ensemble continues to tread new paths with American violinist Monique Mead to win young audiences for classical music ("Classic for Kids"). The Orchestra recently recorded a newly composed score which was mixed with original soundtracks of the Comedian Harmonists and performs other projects of chamber opera, dance (Flamenco with Nina Corti) and marionette theatre.
ublishing Authentic Classical Concerts entails for us capturing and recording outstanding performances and concerts for posterity. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so we record the concerts in direct 2-Track Stereo digital HD. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. Flourishing culture, enthralling the audience and last but not least also you the listener, are the values we endeavor to document in our editions and series.
The concerts at the UNESCO World Heritage Maulbronn Monastery supply the ideal conditions for our aspirations. It is, above all, the atmosphere of the romantic, candle-lit arches, the magic of the monastery in its unadulterated sublime presence and tranquillity that impresses itself upon the performers and audience of these concerts. Renowned soloists and ensembles from the international arena repeatedly welcome the opportunity to appear here - enjoying the unparalleled acoustic and architectural beauty of this World Heritage Site, providing exquisite performances of secular and sacred music, documented by us in our Maulbronn Monastery Edition.
Andreas Otto Grimminger & Josef-Stefan Kindler, K&K Verlagsanstalt