Simone Eckert

Simone Eckert ~ Viola da gamba and Diskant-Viola da Gamba

At the age of eight, when asked what she wanted to be Simone Eckert answered: "gamba player". Ignoring the warning that she should get a "proper job" she lives and works as a freelance musician in Hamburg.
She studied at the Musikhochschule Hamburg and at the Schola Cantorum Basiliensiswith H. Mueller and J. Savall. She finished her studies in 1990 with a diploma in early music.
In 1991 she founded the ensemble Hamburger Ratsmusik. She has taught, since 1992 at the Hamburger Konservatorium and holds seminars on the viola da gamba in both Germany and England.
Apart from the repertoire of the renaissance, baroque and early classics she also concentrates on modern music for the viol.
A large number of works have been dedicated to her and performed by her for the first time. She performs as a soloist, ensemble leader and lecturer in Germany, other European countries an Japan.
Musica Sacra · Die ZeitMusica Sacra · Die Zeit
Musica Sacra
Die Zeit
'The period of time'
Songs, arias and instrumental music from the 17th and 18th century
by Johann Rist, Johann Schop (c. 1590-1667),
Nikolaus Adam Strungk (1640-1700),
Heinrich Scheidemann (c. 1595-1663),
Georg Philipp Telemann (1681-1767)
and Carl Philipp Emanuel Bach (1714-1788)
Dorothee Mields (Soprano)
& Ensemble Hamburger Ratsmusik:
Simone Eckert (Viola da gamba & Diskant-Viola da Gamba),
Ulrich Wedemeier (Theorbo),
Michael Fuerst (Harpsichord)
A concert recording from the church of the German
UNESCO World Heritage Site Maulbronn Monastery
HD Recording · DDD · c. 60 Minutes
CD
EUR 22,00SpotifyDeezerGoogle PlayApple MusicAmazon MusicTidaliTunes MasteredFor...HD TrackseClassical HDPresto Classical HDPrime Phonic HDReview

A spirited rediscovery of true expression that's centuries old

This album is part of a series recorded live at the medieval-era Maulbronn Monastery in southern Germany, but it explores the music of a very different region: the Hamburger Ratsmusik, doubtless a strange name to Anglophone ears, is the Music of the Hamburg City Council, a concert series with a tradition a half a millennium long. It petered out and was then revived.
This concert, conceptualized by gambist and ensemble leader Simone Eckert, collects a group of pieces from the 18th century, all connected by the single theme of time (die Zeit)... The combination of pieces is largely unlike anything that's been put on disc before, and many of them are unknown. The program combines simple, strophic settings like Johann Schop's "O Ewigkeit, du Donnerwort" (O Eternity, You Thunder-Word), from the mid-17th century, with Telemann's simple moralistic cantatas, more involved Bachian pieces, and instrumental works of several kinds.
Soprano Dorothee Mields does an exceptional job of communicating the sober but appealing mood of the music, so different from the operatic ideals that informed even much of the output of Bach, and the backing musicians keep everything lively even as the emotion level is low-key; the two Telemann trio sonatas included are nicely differentiated by accompaniment, with one featuring a theorbo continuo.
The whole program breathes and feels like a spirited rediscovery of true expression that's centuries old, and the sound from the monastery is well suited to this music. Recommended, partly in hopes that the album will stimulate further exploration of the repertory from Hamburg, an immensely influential city in its day.

James Manheim, All Music Guide USA

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