Mozart: Symphony No. 36 in C Major, K. 425 "Linz"
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Wolfgang Amadeus Mozart (1756-1791):
Symphony No. 36 in C Major, K. 425
Symphony No. 36 in C Major, K. 425
"Linz Symphony"
Performed by the Silesian Chamber Philharmonic Orchestra
Conductor: Pawel Przytocki
A live recording from the church of the German UNESCO World Heritage Site Maulbronn Monastery
DDD · Duration: 30 Min. 09 Sec.
Digital Album · 4 Tracks
1 x
∅ 9:50
€ 0.95
MP3 · 320kBit/sec.
by Wolfgang Amadeus Mozart,
performed by the Silesian Chamber Philharmonic Orchestra,
conducted by Pawel Przytocki
x
1 x
∅ 8:48
€ 0.95
MP3 · 320kBit/sec.
by Wolfgang Amadeus Mozart,
performed by the Silesian Chamber Philharmonic Orchestra,
conducted by Pawel Przytocki
x
1 x
∅ 3:28
€ 0.95
MP3 · 320kBit/sec.
by Wolfgang Amadeus Mozart,
performed by the Silesian Chamber Philharmonic Orchestra,
conducted by Pawel Przytocki
x
1 x
∅ 8:04
€ 0.95
MP3 · 320kBit/sec.
by Wolfgang Amadeus Mozart,
performed by the Silesian Chamber Philharmonic Orchestra,
conducted by Pawel Przytocki
x
MP3
MP3 Album
320 kBit/sec.
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Work(s) & Performance
T
he Symphony No. 36 in C major, K. 425, (known as the "Linz Symphony") was written by Wolfgang Amadeus Mozart during a stopover in the Austrian town of Linz on his and his wife's way back home to Vienna from Salzburg in late 1783. The entire symphony was written in four days to accommodate the local count's announcement, upon hearing of the Mozarts' arrival in Linz, of a concert. The première in Linz took place on 4 November 1783. The composition was also premièred in Vienna on 1 April 1784. The autograph score of the "Linz Symphony" was not preserved.
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awel Przytocki is one of the most talented and exciting young Polish conductors. He studied at the Academy of Music in Kraków, where he graduated with honors from the Faculty of Conducting (1985) under Professor Jerzy Katlewicz. He perfected his skills at the Bartok International Seminar with Peter Eötvös and with the Master Conducting Course at the Oregon Bach Festival in Eugene with Helmuth Rilling. From 1983 to 1987, Przytocki collaborated with the Krakow Philharmonic and, since 1987, with the Grand Opera Theatre in Lodz. From 1988 to 1991, he worked as the Conductor and Music Director of the Baltic Philharmonic Orchestra in Gdansk. In May 1990, he made his debut with the National Philharmonic in Warsaw. Since 1995, he has worked with the Orchestra Sinfonia Varsovia and, from 1995 to 1997, was Music Director of the Artur Rubinstein Philharmonic Orchestra in Lódz. Przytocki is a regular guest conductor with orchestras throughout Poland as well as with the Budapest Concert Orchestra, Orchestra Sinfonica de Xalapa in Mexico, Real Filharmonia de Galicia in Spain, Capella Istropolitana in Bratislava, Philharmonisches Staatsorchester Halle, Neue Philharmonie Westfalen, Bilkent Symphony Orchestra Ankara, Everett Symphony Orchestra in the United States and the Janacek Philharmonic Orchestra Ostrava. His guest performances and concert tours have led him throughout Europe.
Pawel Przytocki has participated in numerous international music festivals, including the Athens Festival, 1987, the Musikfest Stuttgart, 1988, the Flanders Festival, 1989, La Chaise-Dieu Festival, 1996, the Kissinger Sommer, 1998, the Bratislava Music Festival, 1999, the Prague Spring, 2001 and the Wratislavia Cantans, 2005. Since 2005, Przytocki has been the conductor for the National Opera in Warsaw. During the 2005/2006 and the 2006/2007 season at the National Opera, he conducted Aram Khachaturian's ballet, Spartacus (premiere -November 2005), Tchaikovsky's opera, "Oniegin", Verdi's, "La Traviata", Puccini's "La Boheme" and the ballet, "Oniegin" with choreography by John Cranko (premiere- April 2007). He has made archival recordings for Polish Radio and CDs for DUX, Aurophon and Point Classic. His recording of Rachmaninoff`s First Symphony, in 1991, has been recognized by the American "La Folia Music Review Magazine" as very special.The magazine labeled it one of the world`s five best recordings and compared it favorably to those of Carlos Kleiber and Svjatoslav Richter.
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ublishing Authentic Classical Concerts entails for us capturing and recording outstanding performances and concerts for posterity. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so we record the concerts in direct 2-Track Stereo digital HD. The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. Flourishing culture, enthralling the audience and last but not least also you the listener, are the values we endeavor to document in our editions and series.
The concerts at the UNESCO World Heritage Maulbronn Monastery supply the ideal conditions for our aspirations. It is, above all, the atmosphere of the romantic, candle-lit arches, the magic of the monastery in its unadulterated sublime presence and tranquillity that impresses itself upon the performers and audience of these concerts. Renowned soloists and ensembles from the international arena repeatedly welcome the opportunity to appear here - enjoying the unparalleled acoustic and architectural beauty of this World Heritage Site, providing exquisite performances of secular and sacred music, documented by us in our Maulbronn Monastery Edition.
Andreas Otto Grimminger & Josef-Stefan Kindler, K&K Verlagsanstalt
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***** An ideal introduction
12. April 2013 - 17:04 — kuk-art.comAn ideal introduction to one of Poland's most talented and exciting young conductors, whose work has been compared to that of Carlos Kleiber and Svjatoslav Richter.
New Classics UK